Songs of the day: “Come Over” and “Feel Like a Rockstar” (duet with Tim McGraw) by Kenny Chesney
To those who know me, my love and childlike impatience for the summer months can easily be categorized as old news. However, this year’s impatience is about five times as bad as it normally is. Why, you ask? The Kenny Chesney and Tim McGraw “Brothers of the Sun” tour has a Chicago stop on July 7 and you best believe that I will be there. Not that I’ve been counting down the months…weeks…minutes since I bought the tickets the second they went on sale on December 3. In fact, I even woke up early on a Saturday to do just that. To me, anything aside from an emergency or Justin Bieber sighting is not a legitimate reason to wake up early. So yes, this is huge. (Plus, Jake Owen and Grace Potter will be a part of the tour. Impatience at an alltime high.)
What else is huge? Kenny Chesney’s recent release of two songs from his 13th studio album, “Welcome to the Fishbowl.” Listening to Come Over and Feel Like a Rockstar, a duet with Tim McGraw, coupled with an impending 87 degree beach day tomorrow has made sitting still an impossibility today. Kenny’s chilling message in Come Over gives me goosebumps each time I replay the song. As Kenny says, “Come Over is about two people who are as broken as their relationship is, when they realize deep down that their time together has probably ran its course, but they aren’t really ready to emotionally or physically move on to something else.” Oof. I realize that wasn’t the most summer loving summary, but I couldn’t deprive you of something that is sure to be on the country charts for awhile.
Since today is Friday (and I didn’t want to be a buzz kill by raving about a song that covers an unfortunate relationship), I moved on to Feel Like a Rockstar. After listening to it a couple times through, I’m pretty sure I could stare at Tim McGraw and fantasize about our life together listen to the song all day. Their voices compliment each other perfectly and if this is any indication of what the concert will be like, I might pass out.
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Tags: Brothers of the Sun, Come Over, Feel Like a Rockstar, Grace Potter, Jake Owen, Kenny Chesney, Music, Song of the Day, Tim McGraw, Welcome to the Fishbowl
I decided at a young age to be a non-conformist when it came to music. No, I’m not the type of person who used to like Death Cab before they were featured on The O.C. a billion times and then hate them with a hate so strong it can only be compared to that of a child’s feelings towards brussel sprouts. I just mean I’m not going to start liking something just because everyone else does. If I do, great (see: Call Me Maybe and Party in the USA – cred gone). If I don’t, I’m sorry. I’m no bandwagoner. I’ll admit I jumped into this a little heavily to begin with. In grade school I swore off all popular music and listened to the sweet sounds of Oldies 104.3 and personally thought Dick Biondi was my friend. The Beach Boys, The Beatles, Aretha Franklin, Creedence Clearwater Revival, The Temptations and Tommy James and The Shondells were my go-tos. I went to a Beach Boys concert in 5th grade and nearly passed out when Mike Love shook my hand.
In my 23-year-old body lives a fan of music past. I can’t help it. So, when I hear a song reminiscent of the things my elementary school self listened to, I tend to gravitate. That’s exactly what happened with Delta Spirit’s California. Is it overly complex? No. Does it give me a headache? Not in the least. Do I enjoy it? Absolutely. It has an heir of modernity about it through the dissonance in the beginning, but still features the harmonious “ooo” sound that made me fall in love with The Beach Boys at a young age. Thank you to Delta Spirit for taking something that has worked in the past and making it work today.
Thank you also to whoever wrote the group’s Wikipedia entry and included that last thing under “genre.” It resulted in at least a quadruple take from yours truly.
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Tags: Aretha Franklin, Beach Boys, California, Chuck Norris, Creedence Clearwater Revival, Delta Spirit, Dick Biondi, Lolla, Lollapalooza 2012, Music, Oldies 104.3, Song of the Day, The Beatles, Tommy James and The Shondells, Wikipedia
Generally speaking, I can determine whether or not I like the sound of a song after the intro. I determined that I enjoyed The Rat long before the vocals even began. Why? To be honest, aside from the drums, I can’t fully put my finger on it. However, once Leithauser chimed in with the vocals, I became a legitimate fan of the song.
These five gents hail from New York and Phildelphia and come together to form The Walkmen, a group that entered the indie world in 2000. On a typical Monday, I try to listen to music that basically lulls me to accept that another work week has begun. The Rat doesn’t exactly take on that same vibe. The full sound from vocals, guitar, organ and drums are not something I would classify as easy listening but it strangely fits this gloomy Monday and rainy weather.
Truthfully, I don’t have a novel to write about The Rat. In fact, the name of it even makes me slightly uncomfortable. But I like the song, and am thrilled that I found it. It’s as simple as that.
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Tags: Lolla, Lollapalooza 2012, Music, Song of the Day, The Rat, The Walkmen
Every time a Monday rolls around, it takes every ounce of my being to refrain from posting Monday, Monday by The Mamas and The Papas. Nothing at all against the song. I love the song. I just think I might be the only person on Earth who would find it funny or ironic. Glad I have that off my chest. Maybe I’ll post it on some upcoming Monday…just for fun.
On another note, I have a confession. While I’ve always been taught to never judge a book by its cover, I usually do. I can’t help it that I have eyes. If a cover looks intriguing, I’ll pick it up. I may not always leave the bookstore (or Target) with the book with the most elaborate cover, but I definitely grabbed one or two that caught my eye. I can be the same way when it comes to a band. This time, however, I don’t judge or choose to give it a chance simply by the album cover. If a band name stands out among the others, I’ll give it a listen. This doesn’t mean a full run-through of a song, but I will most certainly dedicate a solid 15 seconds of my time.
Yellow Ostrich.
What did I do when I saw the band name Yellow Ostrich? You can bet I grabbed my headphones and had to give it a shot. Truly, who wouldn’t? The group is called Yellow Ostrich. If you aren’t at least slightly intrigued by this name, I urge you to get a pulse.
Turns out, I learned a little something about this Lollapalooza line-up bearing group. The group recorded most of the tracks on their most recent album in a small studio near Woodstock, New York, with Beau Sorenson. You may recognize that name from Sorenson’s work with Death Cab for Cutie and Sparklehorse. Choosing a song from the group’s repertoire was relatively simple for me. The Shakedown had a different sound than the others. While I clearly didn’t get a chance to listen to every song ever made by this colorful large bird of a group, I did notice that many of them began the same way and sounded similar. Aside from this one, of course.
So today I spare you from a cheesy joke and sassy attitude about it being another Monday and instead introduce you to one of Lolla’s Friday performers, Yellow Ostrich.
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Tags: Beau Sorenson, Death Cab for Cutie, Lolla 2012, Lollapalooza, Music, Song of the Day, Sparklehorse, The Shakedown, Yellow Ostrich
Dave Matthews Band, I’m over you
There are a few things in life I will never understand. Why buttered toast always lands butter side down, the Kardashians, Donald Trump’s hair and why Dave Matthews band is so popular. That last one is truly a head scratcher for me. Despite the fact that all of his songs sound the same, each with a sax solo seemingly longer than the last, his fans remain dedicated and spend their hard earned money to see the gargle into a microphone.
I just. don’t. get it.
Not only do these Dave lovers line up and willingly admit their love for him (which is embarrassing in itself), they do so with the enthusiasm of an over-caffeinated high school cheerleader. It begs the simple question of, why? I’ve heard it all. It’s the experience. His lyrics speak to me. It’s so chill. So many of his shows sell out. That voice. He’s a Grammy winning artist.
His tour bus also dumped 800 pounds of human waste into the Chicago River, drenching individuals on an architectural boat tour. Just wanted to remind you of that.
Before I continue, I’d like to clarify something here. I don’t only listen things that I consider to be musically impressive. It doesn’t have to be a groundbreaking song, full of complex chords, vocal leaps, trills and riffs. I will happily sing the lyrics to Save a Horse, Ride a Cowboy as loud as the next guy, and I’ll be even happier to suggest listening to it again 5 minutes later. Heck, if you scroll down a bit, you can see that I made the sugar coated Call Me Maybe a song of the day. However, I do think a group that has a cult following – that’s what it is, a cult – should be able to display why the group is worthy of said minions.
Allow me to go through the reasons I’ve listed above. I’ve heard many more, but those seem to be the ones that are constantly hurled in my direction in an effort to make me join the band of followers. Nuh uh, not happening.
It’s the experience: I understand the great feeling fans get from going to a show. One of their all-time favorite musicians is on stage, pouring his or her heart out and they’re surrounded by people who all share a similar love. It’s euphoric. It bonds the members of the audience and can be extremely memorable. Notice I didn’t say this was the result of attending a DMB show. I said it was the result of attending a show. Couldn’t a diehard John Mayer fan get the same feeling at one of his concerts? Or Usher? Or a fan of a band with an extremely small following? I would argue yes. How is the DMB experience any different than the others?
His lyrics speak to me: I’m a huge lyric person. I catch myself paying as much attention to the words as I am to the melody. Are his lyrics the worst out there? No, not at all. Are they the best? No, not at all. Does their overall mediocrity constitute a cult following? Once again, no, not at all.
It’s so chill: This is one of my favorite reasons. You’re right. It isn’t heavy metal, hard rock or intense rap. There isn’t a loud bass and Matthews never turns into a punk rock screamer. That’s what I gather when you tell me it’s so chill. Well, so are a lot of things. In this case, I think DMB is considered to be “chill” because so many of the songs sound the same, meaning it doesn’t require much, if any, effort to listen to it.
So many of his shows sell out: Hannah Montana’s shows sold out within minutes. No further explanation needed.
That voice: That voice? That distorted sound? It sounds like a yodeler with a mouth full of marbles.
He’s a Grammy-winning artist: So is Britney Spears.
I can recall a number of times where I let it slip that I don’t like Dave Matthews Band to a diehard DMB cult member. One person ignored me for 2 weeks and actually closed a door on me, another insisted upon playing it every time I was in his car while explaining why I should like it, and countless others have stared at me, dumbfounded, as if I told them I was going to go home and perform a lobotomy on myself.
My dislike for the group has come up multiple times throughout the past few weeks, so this explanation was beyond necessary. I believe it can be summed up rather quickly. I don’t understand the cult fascination with mediocrity nor do I understand why Matthews feels the need to make all of his songs sound identical. Or the need to make so many of them over 5 minutes long with a sax solo. As the wise Vanilla Ice once rhythmically said, “anything less than the best is a felony.” Unless, of course, you’re talking to a DMB fan…in which case everything less than the best is applauded, praised and voraciously followed.
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Tags: Dave Matthews Band, dislike, DMB, life mysteries
I spent a majority of yesterday’s work day listening to Band of Skulls after seeing their name on the 2012 Lollapalooza lineup. Out of that big, long list, why was I attracted to a group with such a morbid name? Because it sounded familiar. Do I know why? No, not a clue. Generally, I try to avoid anything with the word skulls, crossbones, arsenic or Vanessa Hudgens but not on April 11. All bets are off. Prepare yourself for a little story I like to call musical fate.
After my discovery yesterday, I blabbed about Band of Skulls for awhile. I told my co-workers about them, I sent a text to my cousin and I rambled to my manfriend about how they had an alternative sound but a pretty rock heavy sound from the guitar (he thinks I like weird things). I also decided I would feature a song by them for song of the day the following day. Band of Skulls, you’re welcome for the word of mouth marketing.
As I stumbled into work today, I couldn’t help but notice that my desk looked like a band of tornadoes had gone through it. I tried to make myself feel better by moving some post its around and discovered this gem.
In case you’re struggling to read my red pen scrawl, it says: Band of Skulls – I Know What I am. It’s true.
Please tell me you now understand why I called this musical fate. While it may also prove why I recognized the name, I’m not sure how long ago I wrote this down or what prompted me to, aside from the sheer fact that it’s a great song. A wonderful story like this constitutes two songs for today. Plus, The Devil Takes Care of His Own proves that the guitar portions are extremely rock driven.
Oh, and in case you’re wondering, my desk is still Disastville U.S.A. Things you might notice upon first glance include a small tailgate table, multiple post its and a my little pony toy from a McDonald’s Happy Meal.
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Tags: Band of Skulls, I Know What I Am, Lollapalooza, Lollapalooza 2012, Music, The Devil Makes His Own


